"Autumn" 11 x 14" Pastel on Wallis Paper (Belgian Mist)
Friday, February 26, 2010
Painting Autumn is Hard!
"Autumn" 11 x 14" Pastel on Wallis Paper (Belgian Mist)
Monday, February 22, 2010
CO High Country - Finished
Wednesday, February 17, 2010
February Challenge at Studio Atelier - Work in Progress
Can't wait to see what is up for March!
"CO High Country" 11 x 14" Pastel on Rust Sanded Paper (Work in Progress)
The progress thus far is only the first layers to get the large structures in. I wasn't in the mood today to pay close attention to the shadow shapes on the road...so tomorrow night I will have to buckle down and focus.
I selected the rust colored paper because there are really great warm tones in the photo resource.
Saturday, February 13, 2010
"Chopsticks and Tulip Bowl" - Finished
Finally finished on Thursday night. The background was a real challenge because I had painted the background black and then used harder pastel over the top. It took lots of layers to get the harder pastels to "settle into" the background.
Wednesday, February 10, 2010
The Occasional Colored Pencil Painting
This was a still life set-up I finished in December in pastel. Now I need to get a painting (or two) done in colored pencil. The deadline for entering the CPSA 18th International in Los Gatos is March 31, 2010, so I'd better get my *ss in gear.
I'm using Wallis paper which is a lovely sanded paper usually used for pastel work. The warm underpainting is using Inktense watersoluble pencils which are legal for the CPSA International. I'm also using Colorsoft by Derwent which are quite chalky (not waxy like Prismacolors) and work very well for me on sanded surfaces. Most of the dark background is "mixed" using Dark Green, Red, Indigo, and Black. The lighter area of the background is a Lichen Green and a few other colors that are appropriate value-wise.
Then I'm using a toothbrush to "smoosh" in the color. I usually use a stencil brush, but couldn't find one the other day so I grabbed a somewhat softer toothbrush and I really like how it pushes the pigment around. The onion on the left is getting darker just by virtue of picking up some darker pigment from the background with the toothbrush and brushing it into the shadowed onion.
Friday, February 5, 2010
OK - We're Making Progress!
Made some changes to the background last night:
- changed the shape in the lower left corner
- softened all the edges
- toned down the values in the background
Things left to be done:
- typical of the style of print in the fabric I will be outlining some of the shapes but with a darker value than I originally used
- finish refining the tulip bowl
- finish refining the silk case
- make any last adjustments (in pastel class we call this the "last 20%")
This painting is a "light and shadow" painting where the light reveals the form of the objects...however, the background is a big ol' tonal passage where the shapes and values define the objects.
I'm soooooo ready to move on....but "finish" needs to be a "happy" concept, not a "dirty" word.